Part of a progressing project: illustrating- ‘Once a squirrel could cross the island without touching the ground’ Because the forest was so dense. That is not the case anymore- it has been replaced by our industries, rubbish and lifestyles.
Saturday, 30 January 2010
Friday, 29 January 2010
Squirrel side walk
First time wacom
Side walk/ scuttle, observing the over-whealming industry that has replaced his forest.
Trying to develop the appeal, movement and personality!
Labels:
animation,
concept art,
digital,
drawn,
self-directed works
Saturday, 23 January 2010
Final Project storyboard strips (draft)
DRAFT Story board strips, for 2010 final project.
erging scenes of what have replaced irreplaceable woodlands- visual pollution!
Making the migration/ movement of species from one habitat to another very difficult.
‘A squirrel was once said to have been able to cross the island without touching the ground!’
---- things change.. they must adapt :S
strip 1 & 2

strip 3& 4
Thursday, 21 January 2010
Sunday, 17 January 2010
Thursday, 14 January 2010
Sugar glider Storyboard & concept designs
PAPER 2 PLASMA... a rough storyboard idea of my sugar glider originating as a drawing, then coming to life, with a determined mission to make it to the ‘Big screen'



Next storyboard: illustrating the glider on a journey to follow the renovated corridors connecting habitats (since deforestation), meeting man made perils in order to reach his ‘natural habitat'

Saturday, 9 January 2010
Tuesday, 15 December 2009
Sugar glider- flip
I’m working on some short, rendered animations of an Australian ‘Sugar-glider’, with intentions to combine their gliding and airborne acrobatics through the air, in a final montage!
Labels:
animation,
concept art,
drawn,
self-directed works,
traditional
Sunday, 13 December 2009
Old Dolly Stick- A granny on a mission!
http://www.vimeo.com/8126800
'My granny, fixated on attaining the last tin of Peaches’
A mixed media of hand-drawn, digitally enhanced and composited work.
(Approval from TESCO for photo reference)
A mixed media of hand-drawn, digitally enhanced and composited work.
(Approval from TESCO for photo reference)
Labels:
animation,
compositing,
digital,
drawn,
mixed media,
traditional
Wednesday, 9 December 2009
Showreel
A combination of mixed media- work from the course of my 3 years at uni!
I like to use all media and experiment.. but predominantly work in 2D digital, drawn and cut-out.
Labels:
animation,
compositing,
cut-out,
drawn,
mixed media,
photoshop,
SELF
Saturday, 14 November 2009
Product design
'inside-out lamp’, a glowing cube, with cellophane panels, and a star cut out of the top. When the inner star (wth the bulb inside) is lifted out, the light is diffused through the top portal.
'Raisin promotion packaging’, pods and roll-up wraps
Labels:
external work,
mixed media,
portfolio,
self-directed works
concept idea art
Early art, final pieces

Acrylic ‘Roy’s Film’, with respect to Roy Lichtenstein’s works, i created a piece of interwoven film strips, which include illustrations of his work... but in addition, i have continued or drawn the previous frames.
Acrylic on Board ‘Embrace’, with my project title, i decided to relate to the embrace of harmony- using photographic images of models of diverse races, indian, african and british, i tried to capture the element of uniting all nations in the simple human- expression of a ‘hug’. (Additionally illustrated by the synonyms projected on her back)
Mixed media projects 2

Relief print ‘Web’, illustrating a photo of webs, crystallised with dew. The print’s effect was acquired by raised glue layered onto board
Textiles ‘Planets and space’, interpreting an impressionist image with abstract compositions, using paints, textures, inks and printing foam.
Cut-out print ‘Rose’, the image is cut out then each piece is coloured individually to obtain depth from a 2D print, and the blood of an ageing rose
Mixed media projects
Clay ‘Anthropomorphic character’ - A Beer bottle expressing the average ‘boozer’ : drunk, tatoos, scarred and smoking
Wood print ‘Red bull can’, after taking some striking photos, i found this image conveyed the strongest impact, in relation to the layering process when applying the colour tones.
Etching plate ‘Embracing arms’, i found to work with the authentic effects of an etching print, it was best to produce an image which would use the potential of the inky, worn result.


Clay ‘A blooming flower, in 3 stages'
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